at my job we have to go through a training program that teaches us the library of congress classification system, and when i was first being trained my boss started to boot it up and she gave me a really anxious and guilty look and said “listen, i’m really sorry in advance, there’s nothing i can do about this, just…. just try to get through it” and i was like lol what’s she talking about and then the program loaded and i was greeted with a deliriously funny-looking photoshopped wizard with glowing eyes pointing at some intro message like “AH YES, JUST AS THE PROPHECY FORETOLD… APPRENTICE, YOU COME AT A TIME OF MOST DIRE NEED… YOU MUST LEARN OUR WAYS” and my boss just looked at me helplessly and was like “i’m so sorry. it’s like two hours long.”
thankfully it wasn’t an elaborate fever dream and i have found screenshots
Image description: [Screenshots of the library of congress wizard training game. The first image has a wizard standing in a lake. The second image has a wizard standing in front of a bookshelf.]
[ID: Text on first image: “Greetings! I am a Knowledge Keeper. Some call me a Librarian. Your presence here was foretold to me and you have arrived just in time. Though I have trained many before you, I am always happy to have a new apprentice.” (Continue button)
Text on second image: “As you see, our need is great. All must be put in order and maintained. It is time to begin your lessons—listen closely. Please click Continue.”
(Note that the wizard in question is just about the most stereotypical bearded, robed, pointy-hatted old man wizard you can imagine, carrying a wooden staff). END ID]
WHY DOES HE WALK LIKE THIS???? I was recently watching an episode with my friend and we had to roll it back because we kept laughing over the dialogue 😭
some time ago i introduced the phrase “food pact” to my friends as a shorthand for “i’ll go make and eat food if you also make and eat food” and ever since then ive just started incorporating more pacts into my life. stay hydrated pact. stretch break pact. stop doomscrolling and go to bed pact. we need to bring this back in vogue more people should be making pacts imo
the best part of this is when you ask “who wants to do a shower pact” and you get a half dozen friends all rolling up saying “the pact is sealed”. faustian behavior
it fucking sucks how you can do all the therapy and self healing in the world and you still have to wake up living under a capitalist death cult that’s killed community and crushes your soul
congrats you want to live and be happy
bad news the world doesn’t want that for you
I’ll still love fully and crawl to hope until my body gives out anyway I guess
According to Know Your Meme, on August 18th, 2005, Erwin Beekveld brought forth this work into the world. HAPPY TEN YEAR ANNIVERSARY, THEY’RE TAKING THE HOBBITS TO ISENGARD.
sheds a single tear
every august 18th my notifications break and i go, fuck, tumblr has failed me once again, but it hasn’t. it hasn’t failed me. it’s just the taking the hobbits to isengard-iversary. happy 12 years
Lil Early, but fuck it! I’m not missing it this year.
Replacing physical buttons and controls with touchscreens also means removing accessibility features. Physical buttons can be textured or have Braille and can be located by touch and don’t need to be pressed with a bare finger. Touchscreens usually require precise taps and hand-eye coordination for the same task.
Many point-of-sale machines now are essentially just a smartphone with a card reader attached and the interface. The control layout can change at a moment’s notice and there are no physical boundaries between buttons. With a keypad-style machine, the buttons are always in the same place and can be located by touch, especially since the middle button has a raised ridge on it.
Buttons can also be located by touch without activating them, which enables a “locate then press” style of interaction which is not possible on touchscreens, where even light touches will register as presses and the buttons must be located visually rather than by touch.
When elevator or door controls are replaced by touch screens, will existing accessibility features be preserved, or will some people no longer be able to use those controls?
Who is allowed to control the physical world, and who is making that decision?
As you like it: you’ll find here an outdoor stage adaptation and here the BBC version
Coriolanus: Here’s a college play, here’s the 1984 telefilm, here’s the 2014 one with tom hiddleston
Hamlet: The Kenneth Branagh 1996 Hamlet is here, the 1964 russian version is here and the 1964 american version is here. THe 1964 Broadway production is here, the 1948 Laurence Olivier one is here. And the 1980 version is here. Here are part 1 and 2 of the 1990 BBC adaptation. Have the 2018 Almeida version here.
Henry IV: part 1 and part 2 of the BBC 1989 version. And here’s part 1 of a corwall school version.
Henry V: Laurence Olivier (who would have guessed) 1944 version. The 1989 Branagh version here. The BBC version is here.
Julius Caesar: here’s the 1979 BBC adaptation, here the 1970 John Gielgud one.
King Lear: Laurence Olivier once again plays in here. And Gregory Kozintsev, who was I think in charge of the russian hamlet, has a king lear here. The 1975 BBC version is here. The Royal Shakespeare Compagny’s 2008 version is here. The 1974 version with James Earl Jones is here.
Macbeth: here’s the 1961 one with Sean Connery. Here’s the 1971 by Roman Polanski, with spanish subtitles. Here’s the 1948 www.youtube.com/watch?v=ljZrf_0_CcQ“>here. The 1988 BBC onee with portugese subtitles and here the 2001 one). The 1969 radio one with Ian McKellen and Judi Dench is here and the 1966 BBC version is here. The Royal Shakespeare Compagny’s 2008 version is here.
The Merchant of Venice: here’s a stage version, here’s the 1980 movie, here the 1973 Lawrence Olivier movie, here’s the 2004 movie.
The Merry Wives of Windsor: the Royal Shakespeare Compagny gives you this movie.
A Midsummer Night’s Dream: have this sponsored by the City of Columbia, and here the BBC version.
Much Ado About Nothing: Here is the kenneth branagh version and here the Tennant and Tate 2011 version. Here’s the 1984 version.
Othello: A Massachussets Performance here, the 2001 movie her is the Orson Wells movie with portuguese subtitles theree, and a fifteen minutes long lego adaptation here. THen if you want more good ole reliable you’ve got the BBC version here and there.
Richard III: here’s the 1955 one with Laurence Olivier, and here’s the 1995 one with Ian McKellen. (the 1995 one is in english subtitled in spanish. the 1955 one has no subtitles and might have ads since it’s on youtube)
The Taming of the Shrew: the 1988 BBC version here, the 1929 version here, some Ontario stuff here and here is the 1967 one with Richard Burton and Elizabeth Taylor.
The Tempest: the 1979 one is here, the 2010 is here. Here is the 1988 one.
Timon of Athens: here is the 1981 movie with Jonathan Pryce,
Please do contribute if you find more. This is far from exhaustive.
(also look up the original post from time to time for more plays)
Oh, I have additions!
A Misdummer Night Dream: Here’s the 2013 globe production (the one with The Kiss, you know it)
Romeo and Juliet: Here’s the one that was going to be a stage show and then lockdown happened so they filmed it! Stars Josh O’Connor and Jessie Buckley
Okay, I’m collating everything from the comments because I love this so much!
This drive has 4 Globe productions Midsummer 2013 and Tempest 2013 (Both above), and then As You Like It 2009, and Love’s Labour’s Lost 2010
From maa-pix:
Twelfth Night: the 1998 version, “Live From Lincoln Center” on PBS, directed by Nicholas Hytner, with Helen Hunt, Paul Rudd, and Kyra Sedgwick. Part One, Intermission interview with Nicholas Hytner, and Part Two. Also here. (Absolutely fantastic version, best I’ve ever seen.)
They are also all Globe productions: MacBeth 2020, Romeo and Juliet 2009, Romeo and Juliet 2019, The Merry Wives of Windsor 2019, and The Winter’s Tale 2018.
And then finally MIT has this super cool repository of performances from around the world and some of them have videos https://globalshakespeares.mit.edu/
Also, if anyone has a version of the lockdown Romeo and Juliet mentioned above or the Olivier or McKellan Richard IIIs, the current links are broken and the productions sound very cool!
I might kiss you my friend for that work. I awoke from my slumber to find that the post had become popular again and there was way too much notes attached to it for me to read them all.
